During his brief interview with Mr. Fogg, Passepartout had been carefully observing him. He appeared to be a man about forty years of age, with fine, handsome features, and a tall, well shaped figure. His countenance possessed in the highest degree "repose in action," a quality of those who act rather than talk. Seen in the various phases of his daily life, he gave the idea of being perfectly well balanced. Phileas Fogg’s immaculate appearance and efficient behavior is now described.
As for Passepartout, he was a true Parisian of Paris. Since he had abandoned his own country for England, taking service as a valet, he had in vain searched for a master after his own heart. He was unlike other servants and had a certain class despite his colorful past. The author continues with his third person narrative - " It would be rash to predict how Passepartout’s lively nature would agree with Mr. Fogg. It was impossible to tell whether the new servant would turn out as absolutely methodical as his master required; experience alone could solve the question." Passepartout himself is described as a man who had been a sort of vagrant in his early years, and who now yearned for repose. Passepartout was desirous of respecting the gentleman whom he served. Hearing that Mr. Phileas Fogg was looking for a servant, and that his life was one of unbroken regularity, he felt sure that this would be the place he was after.
When Passepartout found himself alone in the house in Saville Row, he inspected it, and found the neatness quite to his liking. He observed, hung over the clock, a card which, upon inspection, proved to be a program of the daily routine of the house. It comprised all that was required of the servant, from morning till night. In short, the house, which must have been a very temple of disorder and unrest under the illustrious but dissipated Sheridan, was comfort, and method idealized. Passepartout is very pleased with the state of things and looks forward to his service with his master, Mr. Fogg.
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